Sundays are a good time for soul-searching ? which makes it a good time to check in with filmmaker Alex Gibney, whose chilling documentary about sexual abuse in the Catholic church, �Mea Maxima Culpa: Silence in the House of God, �is a must-see for anyone interested in the subject as well as the larger issue of what happens when religion becomes big business. �
Gibney's documentary, which is in its second week of theatrical release and will run on HBO in February, begins with the headlines-making case of Father Lawrence Murphy, who, in a letter to the Vatican in 1998, admitted to abusing some 200 boys since the 1950s at the St. John?s School for the Deaf in St. Francis, Wisconsin. Although the Vatican had been aware of Murphy's actions since 1963, he was never defrocked and, in fact, was allowed to remain at the school until 1974 (when he was transferred).
Mea Maxima Culpa, which translates to ?My Most Grievous Fault,? takes Gibney all the way to the Vatican, and in this interview, the filmmaker talks about the surprisingly integral roles that the late Pope John Paul II and his successor Pope Benedict XVI (then Cardinal Joseph Ratzinger) played in this tragic tale as well as his doubts that the church will ever openly confront this issue in a way that will bring some measure of peace to its many victims.
Movieline: After seeing Mea Maxima Culpa, I thought that it shares a theme with Client 9: The Rise and Fall of Eliot Spitzer. On one level, this is about a giant corporation quashing someone those who dare to challenge its ethics.
Gibney: That's right. It's an abuse of power of sorts.
The Vatican is a corporation.…
Adrianne Palicki Aisha Tyler Aki Ross Alecia Elliott Alessandra Ambrosio Alexis Bledel Ali Campoverdi Ali Larter
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